Opera at the Arena
June to September. Even from the cheapest stone steps the sound carries perfectly: bring a cushion and arrive an hour early.

Via Roma is pedestrianised and opens onto Piazza Bra. From there the old town is entirely walkable: no bus tickets, no hunting for parking.
The city’s largest square, at the end of Via Roma. The Liston — the broad pink marble pavement along the cafés — is where Veronese come for their evening stroll.
A first-century Roman amphitheatre still in use. You can visit by day, but it earns its ticket during a performance: opera in summer, concerts the rest of the year.
Italy’s most photographed balcony, in a fourteenth-century courtyard. Go early: from ten o’clock onwards you barely get in.
A Scaliger castle on the river, with a museum reworked by Carlo Scarpa — one of the most studied restorations of the twentieth century. Crossing the battlemented bridge is free.
The old Roman forum, now market and drawing room. The frescoed façades of the Mazzanti houses only reveal themselves if you look up.
Eighty-four metres above Piazza delle Erbe, with a lift for the first half. The best place to understand the shape of the Adige’s bend.
Romanesque and Gothic layered together, with Titian’s Assumption in a side chapel. Far quieter than the Juliet trail.
The Roman bridge rebuilt with stones recovered from the river after 1945. At sunset it is where the city gets photographed.
A Romanesque masterpiece with bronze door panels and Mantegna’s triptych. Worth the riverside walk to get there.
On the far bank of the Adige, cut into the hillside. In summer it hosts the Estate Teatrale Veronese, with Shakespeare in the open air.
A sixteenth-century Italian garden with ancient cypresses and a belvedere at the top. One of the few quiet places in the centre.
The terrace above the Roman Theatre, reached by steps or funicular. The best view over the city, and it costs nothing.
Times measured at a normal walking pace from the door of Via Roma 29.
If you have two days and want to play it safe, these are the ones. The first two are best in the evening, when the light changes and the coach parties leave.
June to September. Even from the cheapest stone steps the sound carries perfectly: bring a cushion and arrive an hour early.
Around seven, when the square empties of visitors and fills with locals. Ask for a Spritz or a glass of Valpolicella.
Twenty minutes uphill, or the funicular from Ponte Pietra. Go on your first day and the city’s layout will make sense at once.
Even without an interest in medieval art, the museum is worth it for how it is made: the routes, lighting and mounts are a work in themselves.
Piazza delle Erbe first thing, then cooking in an apartment with a kitchen: the simplest way to eat well without spending much.
The lake, the wine hills and the art cities are all close by: pick a destination and be back in time for dinner.
Sirmione, Lazise and Peschiera: lakeside villages, waterfront walks and sunsets.
Amarone hills and wineries to visit by appointment, with long views over the vineyards.
A walled village with a castle on the hill: two hours, white wine included.
By train from Porta Nuova: two art cities, each an unhurried day trip.
A gentle ride along the river, a day out to the lake or a climb through the vineyards: all three start from here.
Picked up on the riverside, it leaves the city on tarmac and compact gravel, always away from cars. Fine for children too.
Flat with a few rises as far as Peschiera, where the lake circuit begins. Easy on an e-bike charged the night before.
Short but firm climbs between the vineyards, returning along the river. The ride we suggest to anyone on a road bike.
Apartments with a kitchen and triple rooms on Via Roma 29, inside the pedestrian zone: everything you have just read starts outside the front door.